inscriptions in drawings

SUBJECT AREA: Architecture and building, Civil engineering

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Villard was one of the thirteenth-century architect-engineers who were responsible for the design and construction of the great Gothic cathedrals and other churches of the time. Their responsibilities covered all aspects of the work, including (in the spirit of the Roman architect Vitruvius) the invention and construction of mechanical devices. In their time, these men were highly esteemed and richly rewarded, although few of the inscriptions paying tribute to their achievements have survived. Villard stands out among them because a substantial part of his sketchbook has survived, in the form of thirty-three parchment sheets of drawings and notes, now kept in the Bibliothèque Nationale in Paris. Villard's professional career lasted roughly from 1225 to 1250. As a boy, he went to work on the building of the Cistercian monastery at Vaucelles, not far from Honnecourt, and afterwards he was apprenticed to the masons' lodge at Cambrai Cathedral, where he began copying the drawings and layouts on the tracing-house floor. All his drawings are, therefore, of the plans, elevations and sections of cathedrals. These buildings have long since been destroyed, but his drawings, perhaps among his earliest, bear witness to their architecture. He travelled widely in France and recorded features of the great works at Reims, Laon and Chartres. These include the complex system of passageways built into the fabric of a great cathedral; Villard comments that one of their purposes was "to allow circulation in case of fire".

Villard was invited to Hungary and reached there c. 1235. He may have been responsible for the edifice dedicated to St Elizabeth of Hungary, canonized in 1235, at Kassa (now Košice, Slovakia). Villard probably returned to France c. 1240, at least before the Tartar invasion of Hungary in 1241.

His sketchbook, which dates to c. 1235, stands as a memorial to Villard's skill as a draughtsman, a student of perspective and a mechanical engineer. He took his sketchbook with him on his travels, and used ideas from it in his work abroad. It contains architectural designs, geometrical constructions for use in building, surveying exercises and drawings for various kinds of mechanical devices, for civil or military use. He was transmitting details from the highly developed French Gothic masons to the relatively underdeveloped eastern countries. The notebooks were annotated for the use of pupils and other master masons, and the notes on geometry were obviously intended for pupils. The prize examples are the pages in the book, clearly Villard's own work, related to mechanical devices. Whilst he, like many others of the period and after, played with designs for perpetual-motion machines, he concentrated on useful devices. These included the first Western representation of a perpetualmotion machine, which at least displays a concern to derive a source of energy: this was a water-powered sawmill, with automatic feed of the timber into the mill. This has been described as the first industrial automatic power-machine to involve two motions, for it not only converts the rotary motion of the water-wheel to the reciprocating motion of the saw, but incorporates a means of keeping the log pressed against the saw. His other designs included water-wheels, watermills, the Archimedean screw and other curious devices.

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Eg. 94.; Snorri (Hkr.) constantly uses the pl. form, but bautaðarsteinn, Fagrsk. 19, and bautarsteinn, Hm. 72; m. the stone monuments of the olden age, esp. in Sweden and Denmark; the Hávamál l. c. (sjaldan bautarsteinar standa brautu nær, nema reisi niðr at nið) tells us that these stones used to be placed along the high roads, like the sepulchral monuments of old Rome; cp. the standing phrase on the Swedish-Runic stones—hér skal standa steinn ‘nær brautu;’ or, má eigi ‘brautar-kuml’ ( a road monument) betra verða; the high roads of old Sweden seem to have been lined with these monumental stones; even at the present time, after the destruction of many centuries, the Swedish-Runic stones (of the nth and 12th centuries) are counted by thousands. A great collection was made and drawings executed during the 17th century (Buræus, etc.), but only published A. D. 1750, under the name of Bautil. The etymology of this word is much contested; some render it by ‘stones of the slain’ (bauta, to slay), but this is contradicted by the passage in Hm. l. c. and by the inscriptions themselves. The bauta stones were simply monuments erected by the piety of kindred and friends without any respect to sex or manner of death, either in war, on sea, or through sickness; some were even erected to the memory of living persons. They were usually tombstones; but many of them are memorial stones for men that died in foreign lands, Greece, Russia, the British Islands, etc. Neither is Snorri right in saying (Hkr. pref.) that the bautasteinar belonged to the old burning age (brunaöld), and were replaced by the cairns (haugar) in the subsequent cairn age (haugaöld)—þá skyldi brenna alla dauða menn ok reisa eptir bautasteina, en síðan er Freyr hafði heygðr verit at Uppsölum þá görðu margir höfðingjar eigi síðr hauga en bautasteina. Svíar tóku lík hans ok var hann brendr við á þá er Skúta heitir, þar vóru settir bautasteinar hans, Hkr. Yngl. ch. 17—the passage in Hávamál and the monuments refute this statement. The great bulk of the Scandinavian bauta stones seem to be of the nth and even 12th century. In Icel. no stones of that time are on record: var hann þá her heygðr skamt frá bsenum, ok settir upp bautasteinar, þeir er enn standa her, Hkr. i. 269; hávir bautasteinar standa hjá haugi Egils ullserks, 153,—where Fagrsk. reads, í þau skip var lagðr í valrinn, ok orpnir þar haugar utan at; þar stendr ok bautaðarsteinn (= bautarsteinn in Hm.?) hár sem Egill féll, p. 19;—en eptir alla þá menn er nokkut mannsmót var at, skyldi reisa bautasteina, ok hélzt sa siðr lengi síðan, Hkr. Yngl. ch. 8. It is worth remarking that the word ‘bautasteinn’ never occurs out of Icel. literature, and there only in the above passages, viz. once in the old Hm., once in the Fagrsk., four times in the Hkr., whence it has passed over to modern writers. The word is most probably only a corruption from brautarsteinar, lapides viae, (by dropping the r); cp. the analogous Swedish word, brautarkuml, monumentum viae, which occurs in the inscriptions themselves.